Like many people who count “Hitch” among their friends, I have watched with a certain degree of dismay how this lifelong champion of left-wing, anti-imperialist causes, this scourge of armed American hubris, this erstwhile booster of Vietcong and Sandinistas, this ex-Trot who delighted in calling his friends and allies “comrades,” ended up as a loud drummer boy for President George W. Bush’s war in Iraq, a tub-thumper for neoconservatism, and a strident American patriot.Boy, all these writers can use words so well :)
Anyway, more on Hitchens' memoir--this time from across the pond:
What [Hitchens] most resembles, to an almost uncanny degree, is a particular kind of political romantic, as described by Carl Schmitt in his 1919 book Political Romanticism. Schmitt was ostensibly writing about German romanticism at the turn of the 19th century (the intellectual movement that flourished between Rousseau and Hegel) but his real targets were the revolutionary romantics of his own time, including two of Hitchens’s Trotskyite heroes, Rosa Luxemburg and Karl Liebknecht. For Schmitt, political romantics are driven not by the quest for pseudo-religious certainty, but by the search for excitement, for the romance of what he calls ‘the occasion’. They want something, anything, to happen, so that they can feel themselves to be at the heart of things. As a result, political romantics often lead complicated double lives, moving between different versions of themselves, experimenting with alternative personae. ‘Reversing one’s position between several realities and playing them off against one another belongs to the nature of the romantic situation,’ Schmitt writes. Political romantics are ostensibly self-sufficient yet also have a desperate need for human comradeship. ‘In every romantic we can find examples of anarchistic self-confidence as well as an excessive need for sociability. He is just as easily moved by altruistic feelings, by pity and sympathy, as by presumptuous snobbery.’ Romantics loathe abuses of power, but invariably end up worshipping power itself, sometimes indiscriminately: ‘The caliph of Baghdad is no less romantic than the patriarch of Jerusalem. Here everything can be substituted for everything else.’ Above all, in place of God they substitute themselves. ‘As long as the romantic believed he was himself the transcendental ego, he did not have to be troubled by the question of the true cause: he was himself the creator of the world in which he lived.’All of this sounds a lot like Christopher Hitchens.
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