Also at Slate, Christopher Hitchens has a brilliant piece thanks to which I had to figure out what the word gauleiter means! Hitchens writes:
what he is issuing is the distilled violence, cruelty, and bigotry—and sexual hypocrisy—that stretches from the Crusades through the Inquisition to the "concordats" between the church and Hitler and Mussolini. Yet he's still reporting for work. When will Hollywood, and the wider society, finally decide to shun and spurn him utterly, both for what he is and for what he represents?Frank Rich is all about schadenfreude, and writes:
It seems preposterous in retrospect that a film as bigoted and noxious as “The Passion” had so many reverent defenders in high places in 2004. Once Gibson, or at least the subconscious Gibson, baldly advertised his anti-Semitism with his obscene tirade during a 2006 D.U.I. incident in Malibu, his old defenders had no choice but to peel off. Today you never hear conservatives mention their embrace of “The Passion” back then — if they mention Gibson at all. (Fox News has barely covered the new tapes.) But it isn’t just Gibson who has been discredited. Even as he self-immolated, so did many of the moral paragons who had rallied around him as a culture-war martyr.
Take, for instance, the president of the National Association of Evangelicals. During the “Passion” wars, he had tried to blackmail Gibson’s critics by publicly noting that Christians are “a major source of support for Israel” and that Jewish leaders would be “shortsighted” to “risk alienating two billion Christians over a movie.” That evangelical leader was Ted Haggard, the Colorado megachurch pastor since brought down by a male prostitute. Gibson’s only outspoken rabbinical defender in 2004, the far-right Daniel Lapin, would be sullied in the scandals surrounding the subsequently jailed Washington lobbyist Jack Abramoff. William Donohue of the Catholic League — who defended Gibson in 2004 by saying, “Hollywood is controlled by secular Jews who hate Christianity in general and Catholicism in particular” — has been reduced these days to the marginal role of attacking The Times for reporting on priestly child abuse.
The cultural wave that crested with “The Passion” was far bigger than Gibson. He was simply a symptom and beneficiary of a moment when the old religious right and its political and media shills were riding high. In 2010, the American ayatollahs’ ranks have been depleted by death (Falwell), retirement (James Dobson) and rent boys (too many to name). What remains of that old guard is stigmatized by its identification with poisonous crusades, from the potentially lethal antihomosexuality laws in Uganda to the rehabilitation campaign for the “born-again” serial killer David Berkowitz (“Son of Sam”) in America.
I suppose Gibson is one of those celebrity wells that keep on giving. Here is a classic from the Daily Show :)
The Daily Show With Jon Stewart | Mon - Thurs 11p / 10c | |||
Highway to Mel? | ||||
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