Consider this news:
Nearly 16 years after he was gunned down at age 25, the iconic California MC appeared with his Death Row cronies Dr. Dre and Snoop Dogg during their all-star set through the magic of technology, as a gruff, tatted-up hologram. Snoop and Dre got current - and living - hip-hop superstars like Eminem, Wiz Khalifa, and 50 Cent to perform during the set, but it was pretend 'Pac's appearance that got the Web - which wasn't even really a thing when the rapper was alive - abuzz.
Decked out in a computer-generated chain and digital desert boots, e-Pac started with a rendition of "Hail Mary" from his final album, "The Don Killuminati: The 7 Day Theory." The hologram 'Pac also shouted out Coachella fans and riled up the crowd in a convincing version of the MC's throaty, fiery voice. Then a somewhat stiff "Shakur" joined Snoop for their '96 collabo "2 of Amerika's Most Wanted." And just as the crowd seemed to be getting used to the technology-assisted performance from beyond the grave, "Tupac" evaporated into a flash of light.
The company that created the hologram says that it can similarly "bring back to life" any dead person:
The Tupac hologram was several months in the planning and took nearly four months to create in a studio and though Smith was not able to reveal the exact price tag for the illusion, he said a comparable one could cost anywhere from $100,000 to more than $400,000 to pull off. "I can't say how much that event cost, but I can say it's affordable in the sense that if we had to bring entertainers around world and create concerts across the country, we could put [artists] in every venue in the country," he said.Maybe they can create holograms of lecturers and eliminate tenured-faculty, eh! Oh, wait, I should stop giving them ideas :)
The life-size Tupac was amazingly realistic, down to the late rapper's signature tattoos, Timberland boots, jewelry and movements, all of which were also recreated under the direction of Dre and his team.
If you are not much into rap and hip hop, and prefer classical music, well, how about this news:
“Laptop orchestras” in seven locations — from Stanford University to Louisiana State to Queens University in Belfast — are scheduled to perform together tonight, virtually, as part of the first Symposium on Laptop Ensembles and Orchestras, which is being held in Baton Rouge.What is so special about these laptop orchestras, you ask?
“What binds this gamut of noise-creation together is programming code, says Jeff Snyder, [Princeton Laptop Orchestra's] associate director: “Generally, each composer writes new code for each piece . . . if the composers are writing new code for their pieces, then they have the ability to make it do exactly what they want, and it opens their horizons for what is possible.”Holy crap! I don't think I can keep up ever with how rapidly everything is changing by the
This might mean allowing players to improvise within certain sonic parameters, or directing them to follow a more traditional musical structure. The possibilities are practically endless, with the route from composition to performance constantly being played with.
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